Novinky ve fondu

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Výběr z novinek ve fondu

Říjen 2018

BRENTNER, Jan Josef Ignác, KAPSA, Václav, ed. Offertoria solenniora. Praha: Etnologický ústav Akademie věd České republiky, v.v.i., Kabinet hudební historie, 2017. Academus edition. ISBN 978-80-88081-18-0.
SEHLING, Josef Antonín, JONÁŠOVÁ, Milada, ed. Latinské pastorely: Latin pastorellas = Lateinische Pastorellen. Praha: Etnologický ústav Akademie věd České republiky, v.v.i., Kabinet hudební historie, 2017. Academus edition. ISBN 978-80-88081-17-3.
BRENTNER, Jan Josef Ignác. Instrumentální hudba: Instrumental music. Praha: Etnologický ústav Akademie věd České republiky, v.v.i., Kabinet hudební historie, 2017. Academus edition. ISBN 978-80-88081-14-2.
CHERNOFF, John Miller. African rhythm and African sensibility: aesthetics and social action in African musical idioms. Chicago: University of Chicago Press, 1979. Academus edition. ISBN 02-261-0344-7.
OLANIYAN, Tejumola. Arrest the music!: Fela and his rebel art and politics. Bloomington: Indiana University Press, c2004. Academus edition. ISBN 02-533-4461-1.
OCHOA GAUTIER, Ana María. Aurality: listening and knowledge in nineteenth-century Colombia. Durham, NC: Duke University Press, 2014. Sign, storage, transmission. ISBN 978-082-2357-360.
COOK, Susan C a Judy S TSOU. Cecilia reclaimed: feminist perspectives on gender and music. Urbana: University of Illinois Press, c1994. ISBN 978-0-252-02036-0.
WADE, Bonnie C. Composing Japanese musical modernity. London: University of Chicago Press, [2014]. ISBN 978-022-6085-210.
MENDOZA, Zoila S. Creating our own: folklore, performance, and identity in Cuzco, Peru. Durham: Duke University Press, 2008. ISBN 978-082-2341-307.
KŘUPKOVÁ, Lenka a Jiří. Czech music around 1900. Durham: Pendragon Press, 2008. ISBN 978-1-57647-302-3.
SARKISSIAN, Margaret. D’Albuquerque’s children: performing tradition in Malaysia’s Portuguese settlement. Chicago: University of Chicago Press, c2000. Studies in Czech music. ISBN 02-267-3498-6.
REED, Daniel B. Dan Ge performance: masks and music in contemporary Côte d’Ivoire. Bloomington: Indiana University Press, c2003. ISBN 02-533-4270-8.
COWAN, Jane K. Dance and the body politic in northern Greece. Princeton, N.J.: Princeton University Press, c1990. ISBN 06-910-9449-7.
ABBATE, Carolyn. Dějiny opery: posledních 400 let. Praha: Argo, 2017. ISBN 978-80-7363-700-2.
MEINTJES, Louise a T. J LEMON. Dust of the Zulu: Ngoma aesthetics after Apartheid. Durham: Duke University Press, 2017. ISBN 978-082-2362-500.
SPILLER, Henry. Erotic triangles: sundanese dance and masculinity in West Java. London: The University of Chicago Press, c2010. Chicago studies in ethnomusicology. ISBN 978-022-6769-585.
NETTL, Bruno a Timothy ROMMEN. Excursions in world music. Seventh edition. New York: Routledge, 2017. ISBN 978-1-138-66644-3.
ROLLEFSON, J. Griffith. Flip the script: European hip hop and the politics of postcoloniality. London: The University of Chicago Press, 2017. Chicago studies in ethnomusicology. ISBN 978-022-6496-184.
TUCKER, Joshua. Gentleman troubadours and Andean pop stars: huayno music, media work, and ethnic imaginaries in urban Peru. Chicago: The University of Chicago Press, 2013. Chicago studies in ethnomusicology. ISBN 978-022-6923-956.
DICENSO, Daniel J, Rebecca MALOY a Joseph Henry DYER. Chant, liturgy, and the inheritance of Rome: essays in honour of Joseph Dyer. Woodbridge, UK: Boydell Press, 2017. Subsidia (Henry Bradshaw Society), 8. ISBN 978-190-7497-346.
BRODSKÝ, Pavel a Martina ŠUMOVÁ. Iluminované rukopisy v archivech na území Čech = Illuminated manuscripts in archives on the territory of Bohemia. Praha: Masarykův ústav a Archiv AV ČR, 2017. Studie o rukopisech, 8. ISBN 978-80-87782-79-8.
BORN, Georgina, Eric LEWIS a Will STRAW. Improvisation and social aesthetics. Durham: Duke University Press, 2017. Improvisation, community, and social practice. ISBN 978-082-2361-787.
NOVAK, David. Japanoise: music at the edge of circulation. Durham: Duke University Press, 2013. Sign, storage, transmission. ISBN 978-082-2353-799.
FELD, Steven. Jazz cosmopolitanism in Accra: five musical years in Ghana. Durham: Duke University Press, 2012. ISBN 978-082-2351-481.
FELDMAN, Zev. Klezmer: music, history and memory. New York, NY: Oxford University Press, [2016]. ISBN 978-0-19-024451-4.
STEINGO, Gavin. Kwaito’s promise: music and the aesthetics of freedom in South Africa. London: The University of Chicago Press, 2016. Chicago studies in ethnomusicology. ISBN 978-0-226-36240-3.
Listening for Africa: freedom, modernity, and the logic of Black music’s African origins. Durham: Duke University Press, 2017. ISBN 978-0-8223-6354-5.
DAUGHTRY, J. Martin. Listening to war: sound, music, trauma and survival in wartime Iraq. New York: Oxford University Press, [2015]. ISBN 978-0-19-936149-6.
JAKELSKI, Lisa a Nicholas W REYLAND. Lutosławski’s worlds. Woodbridge: The Boydell Press, 2018. ISBN 978-178-3271-986.
GILL, Denise. Melancholic modalities: affect, Islam, and Turkish classical musicians. New York, NY: Oxford University Press, [2017]. ISBN 978-019-0495-008.
KHESHTI, Roshanak. Modernity’s ear: listening to race and gender in world music. New York: New York University Press, [2015]. Postmillennial pop. ISBN 978-147-9867-011.
MOISALA, Pirkko a Beverley DIAMOND. Music and gender. Urbana: University of Illinois Press, c2000. ISBN 02-520-2544-X.
MAGRINI, Tullia. Music and gender: perspectives from the Mediterranean. Chicago: University of Chicago Press, 2003. ISBN 02-265-0165-5.
OLSEN, Kathryn. Music and social change in South Africa: maskanda past and present. Philadelphia: Temple University Press, 2014. ISBN 978-143-9911-365.
KELLY, Barbara L a Christopher MOORE. Music criticism in France, 1918-1939: authority, advocacy, legacy. Woodbridge, Suffolk, UK: The Boydell Press, 2018. ISBN 978-1-78327-251-8.
BAKAN, Michael B. Music of death and new creation: experiences in the world of Balinese gamelan beleganjur. Chicago: University of Chicago Press, 1999. ISBN 02-260-3487-9.
BOULANGER, Nadia, Igor STRAVINSKY a Kimberly A FRANCIS. Nadia Boulanger and the Stravinskys: a selected correspondence. Rochester: University of Rochester Press, 2018. Eastman studies in music, v. 143. ISBN 978-158-0465-960.
RILEY, Matthew a Anthony D SMITH. Nation and classical music: from Handel to Copland. Woodbridge, Suffolk, UK: The Boydell Press, 2016. Music in society and culture. ISBN 978-178-3271-429.
NDALIKO, Chérie Rivers. Necessary noise: music, film, and charitable imperialism in the east of Congo. New York, NY: Oxford University Press, 2016. ISBN 978-019-0499-587.
KANĀʻINAH, Muṣliḥ, Stig-Magnus THORSÉN, Heather BURSHEH a David A MCDONALD. Palestinian music and song: expression and resistance since 1900. Indianapolis: Indiana University Press, [2013]. Public cultures of the Middle East and North Africa. ISBN 978-025-3010-988.
SHANNON, Jonathan Holt. Performing al-Andalus: music and nostalgia across the Mediterranean. Bloomington: Indiana University Press, [2015]. Public cultures of the Middle East and North Africa. ISBN 978-025-3017-567.
MAGOWAN, Fiona a Louise Josepha WRAZEN. Performing gender, place, and emotion in music: global perspectives. Woodbridge, Suffolk: Indiana University Press, 2013. Eastman/Rochester studies in ethnomusicology, v. 5. ISBN 978-1-58046-464-2.
FERRARI, G. G, Tom MOORE a Deborah HECKERT. Pleasing and interesting anecdotes: an autobiography of Giacomo Gotifredo Ferrari. Hillsdale, NY: Pendragon Press, [2017]. Lives in music series, no. 12. ISBN 978-157-6472-231.
AMICO, Stephen. Roll over, Tchaikovsky!: Russian popular music and post-Soviet homosexuality. Urbana: University of Illinois Press, 2014. ISBN 978-0-252-03827-3.
HESSELINK, Nathan. SamulNori: contemporary Korean drumming and the rebirth of itinerant performance culture. Chicago: The University of Chicago Press, 2012. Chicago studies in ethnomusicology. ISBN 978-022-6330-969.
LORTAT-JACOB, Bernard. Sardinian chronicles. Chicago: University of Chicago Press, c1995. ISBN 02-264-9340-7.
BEACH, David. Schubert’s mature instrumental music: a theorist’s perspective. Woodbridge, Suffolk, UK: University of Chicago Press, 2017. Eastman studies in music, v. 142. ISBN 978-158-0465-922.
BRENNAN, Vicki L. Singing Yoruba Christianity: music, media, and morality. Bloomington, Indiana: Indiana University Press, [2018]. African expressive cultures. ISBN 978-025-3032-072.
KOUBA, Jan. Slovník staročeských hymnografů (13.-18. století). Praha: Etnologický ústav AV ČR, v.v.i., Kabinet hudební historie, 2017. ISBN 978-80-88081-13-5.
JANKOWSKY, Richard C. Stambeli: music, trance, and alterity in Tunisia. Chicago: University of Chicago Press, 2010. Chicago studies in ethnomusicology. ISBN 978-022-6392-172.
STERNE, Jonathan. The audible past: cultural origins of sound reproduction. Durham: Duke University Press, c2003. ISBN 08-223-3004-0.
NATTIEZ, Jean-Jacques, Jonathan DUNSBY a Jonathan GOLDMAN. The dawn of music semiology: essays in honor of Jean-Jacques Nattiez. Rochester, NY: University of Rochester Press, 2017. Eastman studies in music, v. 137. ISBN 978-158-0465-625.
LIBIN, Laurence, ed. The Grove dictionary of musical instruments: volume I-IV. New York, NY: Oxford University Press, [2014]. ISBN 978-0-19-935030-8, 978-0-19-935031-5, 978-0-19-935032-2, 978-0-19-935033-9, 978-0-19-935034-6.
GLASSER, Jonathan. The lost paradise: Andalusi music in urban North Africa. London: The University of Chicago Press, [2016]. Chicago studies in ethnomusicology. ISBN 978-022-6327-068.
BRADLEY, Catherine A a Karen DESMOND. The Montpellier codex, the final fascicle: contents, context, chronologies. Rochester, NY: The Boydell Press, 2018. Studies in medieval and Renaissance music, 16. ISBN 978-1-78327-272-3.
NEUMEYER, David. The Oxford handbook of film music studies. New York: Oxford University Press, [2014]. ISBN 978-0-19-532849-3.
REILY, Suzel Ana a Jonathan DUECK. The Oxford handbook of music and world Christianities. New York: Oxford University Press, [2016]. ISBN 978-0-19-985999-3.
GREENWALD, Helen M. The Oxford handbook of opera. New York: Oxford University Press, [2014]. ISBN 978-0-19-533553-8.
VERNALLIS, Carol, Amy HERZOG a John RICHARDSON. The Oxford handbook of sound and image in digital media. New York: Oxford University Press, [2013]. ISBN 978-0-19-975764-0.
KADURI, Yael. The Oxford handbook of sound and image in Western art. New York: Oxford University Press, 2016. Oxford handbooks. ISBN 978-0-19-984154-7.
PINCH, Trevor a Karin BIJSTERVELD. The Oxford handbook of sound studies. New York: Oxford University Press, c2012. Oxford handbooks. ISBN 978-0-19-538894-7.
SCHAB, Alon. The sonatas of Henry Purcell: rhetoric and reversal. Rochester, NY: University of Rochester Press, 2018. Eastman studies in music, v. 146. ISBN 978-1-58046-920-3.
NETTL, Bruno. The study of ethnomusicology: thirty-three discussions. Third edition. Springfield: University of Illinois Press, [2015]. ISBN 978-0-252-08082-1.
LUKER, Morgan James. The tango machine: musical culture in the age of expediency. Third edition. London: The University of Chicago Press, 2016. Chicago studies in ethnomusicology. ISBN 978-0-226-38540-2.
OWENS, Samantha. The well-travelled musician: John Sigismond Cousser and musical exchange in baroque Europe. London: Boydell Pr, 2017. ISBN 978-1-78327-234-1.
HUTCHINSON, Sydney. Tigers of a different stripe: performing gender in Dominican music. London: The University of Chicago Press, 2016. Chicago studies in ethnomusicology. ISBN 978-0-226-40532-2.
KAFUMBE, Damascus. Tuning the kingdom: Kawuugulu musical performance, politics, and storytelling in Buganda. Rochester, NY: University of Rochester Press, 2018. Eastman/Rochester studies in ethnomusicology, v. 7. ISBN 978-1-58046904-3.
PERLMAN, Marc. Unplayed melodies: Javanese gamelan and the genesis of music theory. Berkeley: University of California Press, c2004. ISBN 978-0-520-23956-2.
REILY, Suzel Ana. Voices of the magi: enchanted journeys in southeast Brazil. Chicago: University of Chicago Press, 2002. ISBN 978-0-226-70941-3.
AROM, Simha. African polyphony and polyrhythm: musical structure and methodology. Paris: Editions de la maison des sciences de l’homme, 2004. ISBN 05-216-1601-8.
VILLEPASTOUR, Amanda. Ancient text messages of the Yorùbá bàtá drum: cracking the code. Burlington, VT: Ashgate, c2010. SOAS musicology series. ISBN 978-075-4667-537.
WÖLLNER, Clemens. Body, sound and space in music and beyond: multimodal explorations. New York, NY: Routledge, 2017. SEMPRE studies in the psychology of music. ISBN 978-147-2485-403.
REILY, Suzel Ana a Katherine BRUCHER. Brass bands of the world: militarism, colonial legacies, and local music making. Burlington, VT: Ashgate, [2013]. ISBN 978-1-4094-4422-0.
NEKOLA, Anna E a Thomas WAGNER. Congregational music-making and community in a mediated age. Burlington: Ashgate, 2015. ISBN 978-147-2459-190.
POST, Jennifer C. Ethnomusicology: a research and information guide. 2nd ed. New York: Routledge, 2011. Routledge music bibliographies. ISBN 978-041-5879-774.
MORAD, Moshe. Fiesta de diez pesos: music and gay identity in special period Cuba. Burlington, VT: Ashgate, [2014]. SOAS musicology series. ISBN 978-147-2424-570.
BOHLMAN, Philip Vilas. Focus: music, nationalism, and the making of the new Europe. 2nd ed. New York: Routledge, 2011. Focus on world music. ISBN 978-0-415-96063-2.
HAWORTH, Catherine a Lisa COLTON. Gender, age and musical creativity. Farnham, Surrey, UK, England ;Burlington, VT, USA: Ashgate Publishing Company, [2015]. ISBN 978-147-2430-854.
HISAMA, Ellie M. Gendering musical modernism: the music of Ruth Crawford, Marion Bauer, and Miriam Gideon. New York: Cambridge University Press, 2006. ISBN 978-0-521-02843-1.
NOOSHIN, Laudan. Iranian classical music: the discourses and practice of creativity. Burlington, VT: Ashgate, [2015]. SOAS musicology series. ISBN 978-075-4607-038.
INGALLS, Monique Marie, Muriel Swijghuisen REIGERSBERG a Zoe C SHERINIAN. Making congregational music local in Christian communities worldwide.
New York, NY: Routledge, 2018. Ashgate congregational music studies series. ISBN 978-113-8307-650.
RACY, Ali Jihad. Making music in the Arab world: the culture and artistry of ṭarab. New York: Cambridge University Press, 2003. ISBN 05-213-0414-8.
OLSEN, Dale A. Music of the Warao of Venezuela: song people of the rain forest. Gainesville: University Press of Florida, c1996. ISBN 08-130-1390-9.
DAVIS, Ruth Frances. Musical exodus: Al-Andalus and its Jewish diasporas. Lanham, Maryland: University Press of Florida, [2015]. Europea, no. 19. ISBN 978-081-0881-754.
CZEKANOWSKA, Anna. Polish folk music: Slavonic heritage, Polish tradition, contemporary trends. New York: Cambridge University Press, 2006. ISBN 05-210-2797-7.
LOCHHEAD, Judith Irene. Reconceiving structure in contemporary music: new tools in music theory and analysis. New York: Routledge, 2016. Routledge studies in music theory, 2. ISBN 978-1-138-82433-1.
FARHAT, Hormoz. The dastgāh concept in Persian music. New York: Cambridge University Press, 1990. ISBN 978-0-521-30542-6.
MACARTHUR, Sally. Towards a twenty-first-century feminist politics of music. Burlington, VT: Ashgate, c2010. ISBN 978-140-9409-823.
SUTTON, Richard Anderson. Traditions of gamelan music in Java: musical pluralism and regional identity. New York: Cambridge University Press, 1991. ISBN 978-0-521-36153-8.
RUTHERFORD, Susan. Verdi, opera, women. New York: Cambridge University Press, 2013. ISBN 978-110-7043-824.
THOMAIDIS, Konstantinos a Ben MACPHERSON. Voice studies: critical approaches to process, performance and experience / edited by Konstantinos Thomaidis and Ben Macpherson. New York, NY: Routledge, 2015. ISBN 978-1-138-80934-5.
BAILY, John. War, exile and the music of Afghanistan: the ethnographer’s tale. Burlington, VT: Ashgate, [2015]. SOAS musicology series. ISBN 978-1-4724-1582-0.
MELAMED, Daniel R. Hearing Bach’s Passions. Oxford: Oxford University Press, 2016. ISBN 978-0-19-049012-6.
TRAUBNER, Richard. Operetta: A Theatrical History. Oxon: Routledge, 2003. ISBN 0-415-96641-8.

Listopad 2018

Patalas Aleksandra – Toffetti Marina. La musica policorale in Italia e nell’Europa centro-orientale fra Cinque e Sciento. Benátky: Fondazione Levi, 2012. ISBN 978-88-7552-040-3.
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