Full programme with abstracts [Google Docs]
Conference participants are cordially invited to attend this guest lecture at Charles University:
Susan Rankin (University of Cambridge), “From Neumes in campo aperto to Neumes on Lines”
17:00-18:00, Faculty of Arts, Institute of Musicology, Nám. Jana Palacha 2, Praha 1, room 405 [MAP]
| 18:30 | Registration (Czech Museum of Music, Karmelitská 2/4, Praha 1) [MAP] |
| 19:00 | Opening reception |
| 9:15-9:30 | Opening |
| 9:30-11:30 | I. Musical Interactions and Transmission in Central Europe (chair: Hana Vlhová-Wörner) |
| Antonio Chemotti, “Where is Central Europe? Textbook Narratives of European Music History” | |
| Scott L. Edwards, “Resourceful Singing: Local Music and Language Practices in Brieg Mus. K. 28” | |
| Janka Petőczová, “Musical Interactions between Zips Urban Communities and the European Lutheran Musical Centres in the First Half of the Seventeenth Century” | |
| Gero Pitlok, “Notes on Musical Interactions within Paulus Paulirinus’s Liber viginti arcium” | |
| 11:30-12:00 | Coffee break |
| 12:00-13:00 | II. Interactions between Musical Life and Context (chair: Vladimír Maňas) |
| Katarzyna Spurgjasz, “Rorate caeli desuper, et nubes pluant: Was the foundation of Collegium Rorantistarum in Kraków (1540) Motivated by a Climatic Phenomenon?” | |
| Tomasz Jeż, “Visus, auditus, gustus… The Musical Imaginary of Aeneas Silvius Piccolomini” | |
| 13:00-14:00 | Lunch |
| 14:00-15:30 | III. Musical Interactions in Spain and the New World (chair: David Burn) |
| Ana López Suero, “Musical Exchange between Spanish and Flemish Musicians in the Seventeenth Century from the Account Books of the Confraternity of the Rosary in Antwerp” | |
| Grayson Wagstaff, “Synthesis and Adaptation in Music and Liturgy of Sixteenth-Century New Spain: Was it Merely Practical or Subversive?” | |
| Bernardo Illari, “López’s Interactive Wit: A Late Mexican Flowering of Franco-Flemish Seeds” (virtual) | |
| 15:30-16:00 | Coffee break |
| 16:00-17:30 | Keynote – Pawel Gancarczyk, “Musical Meetings and Musical Interactions in Lviv and Central Europe c. 1500” |
| 19:30 | Concert “Cantare – Symphonisare – Delectare. Faces of the Fifteenth-Century Song in Central Europe” (Irena Troupová, Veronika Vojířová, Corina Marti, Fiona Kizzie Lee)
Gothic Tower, Academy of Music, Malostranské náměstí 13, Praha 1 [MAP] |
| 9:30-11:00 | IV. Networks of Repertories (chair: Jan Ciglbauer) |
| Giacomo Ferraris, “Innovazioni vittoriose? Patterns of Musical Conservatism and Innovation in Central and Peripheral Areas in the Early Fifteenth Century” | |
| Carlo Bosi, “A Network of Monophonic and Polyphonic Songs around 1500” | |
| Johanna-Pauline Thöne, “Interaction, Reception, Contrafaction: The Case of Leiden, Universiteitsbibliotheek, Fragment B.P.L. 2720” | |
| 11:00-11:30 | Coffee break |
| 11:30-13:00 | Private exhibition (Czech Museum of Music) |
| 13:00-14:00 | Lunch |
| 14:00-15:30 | V. Reconstructing and Relocating Music (chair: Paul Kolb) |
| Charles E. Brewer, “Nitor inclite: “Hidden” Monophony in Kras 52” | |
| Fabrice Fitch, “New Obrechtiana (Or, ‘What’s a Girl Like You Doing in a Place Like this?’)” | |
| Marina Toffetti, “Monody, Polyphony, and the Reconstruction of a Missing Part in Incomplete Polyphony: A Few Case Studies” | |
| 15:30-16:00 | Coffee break |
| 16:00-17:30 | Keynote – Olivia Ashley Bloechl, “Making Worlds through Song in Haudenosaunee-French Diplomacy” |
| 19:30 | Concert “Theatrum Musicum. Music in the Early Seventeenth-Century Central Europe” (Ensemble Inégal, artistic director: Adam Viktora)
St Laurent Church, Hellichova 18, Praha 1 [MAP] |
| 9:30-11:00 | VI. Musical Interactions, Transmission, and Transformation in German-Speaking Lands (chair: Inga Mai Groote) |
| Royston Gustavson, “Textual Changes to Recontextualise Motets in Hans Ott’s Novum et insigne opus musicum (Nuremberg, 1537–1538)” (virtual) | |
| Hein Sauer, “Singing Neustadt – Musical Identity in Sixteenth Century Sources from the Lutheran Town Neustadt/Orla” | |
| Bernhard Rainer, “Who Composed the Motet Angelus Domini for 23 Voices in A-Wn, HAN Cod. 9814? – Musical Interactions between Venice and the Habsburg Courts around 1600” | |
| 11:00-11:30 | Coffee break |
| 11:30-12:30 | VII. Tracing Musical Interactions across Europe (chair: Lenka Hlávková) |
| Jan Ciglbauer, “Quidam triplo metro: The Transmission of a cantilena inhonesta in European Ecclesiastical Networks” | |
| Ita Hijmans, “Melodies of Secular Monophony from the North Sea to Central Europe around 1400 as a Musical Repertoire | |
| 12:30-13:30 | Lunch |
| 13:30-15:00 | VIII. What Fragments Can Tell Us about Musical Networks and Interactions (chair: Paweł Gancarczyk) |
| Zsuzsa Czagány, “The Interactive Relationship of Fragments and Their Carrier” | |
| Gabriella Gilányi, “Musical Codex Fragments from the Rhineland in Hungarian Collections“ | |
| Eszter Gaál, “Saint Martin from Utrecht to Nagyvárad Ecclesiastical Networks” | |
| 15:00-15:30 | Coffee break |
| 15:30-17:00 | IX. Identity and Interactions between Centre, Periphery, and the Other (chair: Jan Baťa) |
| Esperanza Rodríguez-García, “Redefining the Style of the Iberian Motet c. 1500” | |
| Nicolò Ferrari, “Singing the Armed Man: Centres and Peripheries of the L’homme armé Tradition” | |
| Linda Pearse, “Habsburg Motets: Responses to the Ottoman Other, 1571–1618” (virtual) | |
| 17:00-17:30 | Closing discussion |
| 19:00 | Closing dinner |